"Scarface" captivates the audience with its unique charm, transporting them to Prohibition-era Chicago. The film opens with the character of Tony, a rustic figure whose crude behavior and sinister expressions leave a lasting impression. What truly draws me in is the bloody rampage of Tony's gang. In one chilling night scene, a black car drives by, unleashing a burst of machine gun fire, leaving a man writhing in pain on the ground. As the car speeds away, the shadow of a street sign forms a cross on the ground. This type of scene recurs throughout the film, creating an almost suffocating atmosphere of tension.
Paul Muni's performance as Tony is effortlessly natural, especially memorable when he is finally cornered, displaying a blend of arrogance and cunning. When faced with retaliation from other mobsters, rather than showing fear amid the hail of bullets, Tony contemplates how to get hold of the same model of machine gun. This calm demeanor showcases the character's inner strength.
Another highlight of the film is the bodyguard's combat scenes and vigilant expressions, which fully display Scarface's power and intimidation. When Tony calls on a woman to seek help from a debauched man, the portrayal subtly reveals the man's dissolute lifestyle. The telephone conspiracy plot signifies betrayal by the boss, and in this moment, a close-up of Scarface's eyes, cool and commanding, accompanied by the whistling of death, is as impactful as any scene from "The Godfather."
Director Howard Hawks's talent shines brightly in this film. He skillfully orchestrates complex plots while successfully maintaining a gripping atmosphere. The 1932 "Scarface," with its bold filming techniques and profound character portrayals, stands as a classic in the history of gangster films.