S 1921 Move notes

 Duck Soup? Man, after watching this so-called "comedy classic" from 1933, I'm torn between laughing and crying. Marx Brothers, are you guys pulling my leg? When the story kicked off, I still had a glimmer of hope. The Republic of Freedonia appoints this wacko president, Rufus T. Firefly, and I thought, "Hey, this might be fun." Boy, was I wrong. Firefly's presidency is like a never-ending circus act. He mocks ministers, flirts with rich girls, spouts nonsense in Congress, and treats diplomacy like a game. I figured this was supposed to be a jab at incompetent leaders, but guess what? This nutjob actually wins the war! Is this satire or praise? I'm completely lost. The Marx Brothers' performance? Okay, I'll give them props for their mirror scene chemistry. But come on, is this your A-game? Compared to Chaplin or Keaton, it's small potatoes. Those so-called "jokes," like the bathtub prank or the squabble in front of the vendor'...

 "Triumph of Faith" stands as a thought-provoking historical testament. In 1933, when Leni Riefenstahl's camera captured the grandeur of the Nuremberg Rally, she likely didn't foresee that this work would become a significant marker of the Nazi rise to power. The film opens with breathtaking scenes that immediately captivate the audience: thousands of SS troops in perfect formation, flags billowing in the wind. This visual impact is truly awe-inspiring. Riefenstahl's camera work is inventive, using low-angle shots to make figures appear more imposing and authoritative, while aerial shots showcase the rally's massive scale, allowing viewers to feel the Nazi party's strength. Hitler's appearance marks the film's climax. Standing at the podium, his voice booming and eyes piercing, I could sense how his inflammatory speech deeply enthralled everyone present. This scene sent chills down my spine as I realized how such oratory, combined with meticulously...

 The 1933 adaptation of "Little Women" transports us to mid-19th century America, an era when women were just beginning to seek their own value. The film, through the story of the four March sisters, presents a world full of warmth yet not devoid of real-world challenges. Jo's character left a lasting impression on me. Katharine Hepburn's portrayal of Jo is brimming with vitality and rebellious spirit. Her love for writing and yearning for freedom stand in stark contrast to society's expectations of women at the time. Hepburn's performance is vivid and natural, especially in scenes where she jumps over fences and slides down staircases, showcasing Jo's free spirit and resistance to traditional constraints. The film skillfully depicts the friendship between Jo and Laurie. Their interactions are full of joy and understanding, but director George Cukor wisely refrains from pushing this relationship into romance. Instead, Jo's encounter with Professor Bhae...