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Showing posts from January, 2022

Greed (Gibson Gowland 1924) review

"Greed" is a classic film that explores the depths of human nature and desire, depicting the dramatic changes in character and fate brought about by sudden wealth. The movie tells the story of a loving and kind couple who, after coming into a large sum of money, experience a drastic shift in their personalities and relationship, ultimately leading to their downfall. The stark contrast between the male and female protagonists before and after winning the lottery is crucial in highlighting the dramatic watershed that occurs. To enhance the main storyline, the film introduces a supporting character who evolves from self-sacrifice to jealousy and resentment, eventually destroying the lives of the main couple and spiraling into his own desert of destruction driven by money madness. This character not only sets up and advances the main couple’s acquaintance and romance but also provides external stimulation and a brutal endpoint to their transformation. Through this character’s jou...

Safety Last(Sam Taylor 1923) review

After watching "Safety Last!", I was deeply captivated. As a silent comedy film, it showcases urban life in the 1920s through its unique narrative style and exquisite stunt performances. The film not only achieves the pinnacle of comedic effect but also, through delicate performances and authentic scenes, recreates the ambiance of that era, leaving a lasting impression. What impressed me the most was Harold Lloyd's climbing scene on the skyscraper. This stunt is a classic, showcasing Lloyd's extraordinary physical prowess and fearless courage. As he climbs the building, he encounters a series of unexpected obstacles, from being disturbed by pigeons to nearly falling off a clock. Each moment keeps the audience on the edge of their seats. Particularly, the scene where he hangs from the clock is filled with tension, yet it also highlights his wit and bravery. This iconic moment not only demonstrates the high level of stunt performance during the silent film era but also ...

The Ten Commandments (Cecil B. DeMille 1956) review

"The Ten Commandments" is not just an epic religious film; it is a visual and performative feast. The stellar cast, outstanding performances, magnificent costumes, and breathtaking set designs together make this film an enduring classic. Charlton Heston's portrayal of Moses is undeniably one of the film's highlights. Heston masterfully captures Moses's unwavering faith, leadership, and internal struggles. Throughout Moses's transformation from an Egyptian prince to a Hebrew slave, a shepherd, and ultimately God's spokesperson, Heston's performance vividly depicts Moses's growth and evolution. For instance, after receiving the divine revelation, his eyes filled with determination and conviction as he faced the Israelites. This nuanced portrayal deeply conveys Moses's sense of mission and responsibility to the audience. Yul Brynner, who plays Pharaoh Rameses II, is another commendable performance. Brynner's commanding presence and authoritati...

Witchcraft Through the Ages(Benjamin Christensen 1922) review

"Witchcraft Through the Ages" (Häxan) is a dual feast for the eyes and mind. This 1922 silent film, with its unique narrative style, profound social commentary, and stunning visual effects, has cemented its place as a classic in cinematic history. First and foremost, the film’s visual impact is undeniably a major highlight. The scenes depicting witchcraft rituals and witches' gatherings are visually striking. Through meticulous makeup and special effects, the depictions of demons and supernatural beings come to life vividly. Particularly in the scenes of witches' sabbaths, the bizarre rituals and eerie creatures create a mysterious and terrifying atmosphere that lingers in the memory. Secondly, the film employs a distinctive narrative technique that seamlessly blends documentary and drama. It begins by showcasing historical texts and artifacts, introducing the academic exploration of witchcraft, then transitions into dramatic reenactments, allowing viewers to witness ...

Nanook of the North(1922 Robert J. Flaherty)review

Nanook of the North is an undisputed classic in the documentary genre, directed by Robert J. Flaherty in 1922. This film not only chronicles the survival story of the Inuit man Nanook and his family in the extreme cold of the Arctic but also pioneered the documentary film form, becoming a landmark in film history. Watching the film, I was deeply moved by its depiction of reality and detail, while also pondering the issues of documentary authenticity and ethics. The film's greatest strength lies in its meticulous portrayal of Nanook's daily life. Through genuine footage, viewers can witness Nanook and his family’s hunting, fishing, and igloo-building skills, essential for surviving in harsh conditions. Flaherty's respectful and intricate recording of the Inuit lifestyle allows the audience to intimately understand a community far removed from modern civilization. His masterful use of lighting and composition showcases the majestic and severe Arctic environment, creating a v...

Nosferatu (F. W. Murnau 1922 )review

Nosferatu , directed by F.W. Murnau in 1922, is a classic horror film that introduced the first vampire character to the silver screen. The vampire in this film is uniquely portrayed and has left a lasting impact on the genre. With its pale complexion, gaunt face, prominent and sharp fangs, and claw-like fingers, Nosferatu established the visual characteristics that have become standard for vampire depictions in subsequent films. These features not only convey the terror and mystery of the vampire but also underscore its inhuman nature. Additionally, the fear of sunlight and the absence of a shadow, iconic traits of vampires, were first depicted in Nosferatu , cementing these as essential elements of the classic vampire image. The plot of Nosferatu is relatively straightforward. It tells the story of Hutter, an employee at a real estate company, who travels to Count Orlok's castle to finalize a property transaction. After discovering that the Count is a vampire, Hutter barely esca...

The Kid(Charlie Chaplin 1921) review

This is a classic silent film directed and starred by Charlie Chaplin, released in 1921. It was Chaplin’s first feature-length film, telling the story of a poor glassmaker (played by Chaplin) who accidentally adopts an abandoned child (played by Jackie Coogan), and the deep bond that forms between them. Through numerous humorous and touching scenes, the film showcases how they rely on each other and face life's challenges together. Chaplin’s portrayal of the impoverished glassmaker in "The Kid" is a masterclass in acting, exhibiting the character's kindness, humor, and resilience. Whether he’s showing care for the child or struggling through difficult situations, Chaplin uses nuanced body language and expressions to perfectly convey the character’s inner world. For example, in the film, the glassmaker uses makeshift but warm methods to care for the child, such as feeding him with a broken teapot and making a crib out of old clothes. These details highlight his kindnes...

The Four Horsemen of the Apocalypse 1921 review

The film begins by focusing on the wealthy Argentine landowner Marcelo Desnoyers and his large family. Marcelo has two sons-in-law: one French and the other German. As World War I breaks out, family members find themselves on opposite sides, creating tension and complexity within the family. Marcelo's French son-in-law joins the French army, while his German son-in-law fights for Germany, leading to the family's disintegration. This plot showcases the immense impact of war on families, highlighting the helplessness and suffering of individuals and families caught in national conflicts. Through the rise and fall of the family, the film reveals the divisions and tragedies brought about by war, allowing the audience to deeply understand its cruelty and destructive power. The conflicts within this transnational marriage not only exacerbate the family's internal tensions but also reflect broader social and political struggles. Marcelo's grandson, Julio (played by Rudolph Val...