S 1921 Move notes

 After watching "Angels with Dirty Faces," I gotta tell ya, I'm still reeling. This 1938 gangster flick hits home even today, and it's crazy how relevant it still is. James Cagney's Rocky Sullivan? Man, that street kid turned tough guy is like a mirror, showing us all those forgotten corners of our society. Watching him bust heads on screen, I can't help but wonder: if we gave kids like that a real shot, would they end up on a different path? Then there's Pat O'Brien as Father Jerry. Same rough start, totally different outcome. It really makes you think, doesn't it? How our whole lives can change in just one moment, one decision. But what really got me was the friendship between Rocky and Jerry. A gangster and a priest - talk about opposites attract! Their bond, man, it's complicated. Isn't that just like the battle we all fight inside? Good vs. evil, right vs. wrong. We're all Rocky, in a way, wrestling with our demons. That ending, th...

 This 1937 flick still shines with wisdom even today. It reminds me of that unwavering pursuit of justice in "Lawrence of Arabia," but Zola's fight? Man, it hits closer to home. Paul Muni's Zola, with those eyes that seem to see right through all the world's BS - that's some next-level acting. The courtroom scene where he's defending Dreyfus? Every look, every gesture is dripping with this hunger for truth. Watching him go off like that, my heart was racing. It's like I was right there in that courtroom, throwing down against injustice. It got me thinking - in this age of information overload, how many of us are willing to risk our cushy lives for the truth like Zola did? Everybody's rushing to post their hot takes on social media, but how many are really thinking things through? Zola's "J'accuse" - isn't that the kind of guts we all should have? Director William Dieterle's got some tricks up his sleeve, weaving Zola's...

Right off the bat, I was sucked into that desolate Arizona desert. In this middle-of-nowhere joint, we've got Leslie Howard playing Alan, this down-on-his-luck writer, who bumps into Gabrielle, a waitress itching to ditch the desert, played by Bette Davis. The way these two dance around each other emotionally? Man, it's sweet and heartbreaking all at once. Just when I'm getting cozy with this romantic setup, bam! The movie throws us a curveball. Enter Humphrey Bogart as Duke, this on-the-run crook, crashing the party with his gang. Holy smokes, Bogart's eyes are scary as hell! Every time he shows up on screen, you can cut the tension with a knife. But get this - even with all this danger going down, the movie still finds time to chew the fat about social issues. All that talk about gender equality and women's consciousness? Must've been pretty cutting-edge back in the day. I'm totally vibing with Gabrielle when she says, "I want to live, not just exist....

 After watching "The Great Ziegfeld," I gotta say, I'm feeling all kinds of emotions. This 1936 musical biopic is a real visual feast, but it left me with a bit of a bittersweet aftertaste. ight off the bat, the movie pulls you into this glittering era. Ziegfeld, man, what a legend! His story should've been a real page-turner, you know? But here's the thing - the film seems more interested in showing off those jaw-dropping stage performances he put together than digging into who the guy really was. I found myself sitting there, realizing I still didn't have a clue about the real Ziegfeld. But let's be real for a second - those musical numbers? They're out of this world! Especially that hour-long extravaganza - it's like eye candy on steroids. The lights, the costumes, the choreography - every single element is a work of art. Watching it, I felt like I'd been zapped back to a 1930s Broadway show, getting a front-row seat to Ziegfeld's glory ...

 After watching "Top Hat," I was left in a state of awe. Who would've thought a 1935 flick could be this captivating? Sure, the plot's your typical romantic comedy of errors, but trust me, there's so much more to it than that. Fred Astaire as Jerry Travers? Man, he's the epitome of cool! His elegant dance moves, smooth gestures, and that killer smile – you just can't take your eyes off him. And when he dances "Cheek to Cheek" with Ginger Rogers? I swear my heart skipped a beat. Their steps are in perfect sync, and the way they spin together? It's like they're one person. I couldn't help but think, "Damn, if only I had a dance partner like that!" Speaking of Ginger Rogers, her performance as Dale Tremont blew me away. She's not just a pretty face – she's got sass and class in spades. I absolutely loved the scene where she's dancing on stage. Her movements are so light and effortless, and her expressions? So natura...

 Watching "Mutiny on the Bounty" was like stepping into a time machine. This 1935 classic isn't just a movie; it’s a journey into the past, into a world where the stakes were as high as the ocean waves that crashed against the ship. The film is based on true events, which already gives it an edge of intrigue. It's about an 18th-century British warship on a mission to Tahiti to gather breadfruit plants, with a planned voyage of two years. The captain, played with a chilling severity, rules with an iron fist, believing that fear and punishment are the best ways to maintain order. This oppressive regime doesn't sit well with the crew, leading to growing unrest and eventually, a full-blown mutiny led by the charismatic first officer. Clark Gable's portrayal of the first officer is nothing short of mesmerizing. He's a mix of courage, rebellion, and a desire for justice. His defiance against the captain’s tyranny isn’t just about survival; it’s about standing up...

 Watching "Bride of Frankenstein" is both an interesting and somewhat poignant experience. As a film from 1935, it was undoubtedly a technical marvel of its time, but today, some of its special effects and plot elements do feel a bit dated. However, this is precisely the charm of old movies: they allow us to see the evolution and progress of the film industry. In the movie, Frankenstein is portrayed as a lonely and pitiful creature, not evil, but driven to self-defense. His character is vastly different from the monsters in modern horror films, presenting more of a tragic figure. His creator is coerced into making a companion for him, who will become his bride. This plot itself carries a strong sci-fi flavor, with the idea of creating new life from corpses being very novel at the time. There are many scenes in the film that left a deep impression on me. For instance, the monster escaping and then suddenly returning to the original village puzzled me. How the professor's w...